Toutes peintures ā l'huile d'Thomas Cooper Gotch
ID Image Painting(From A to Z)    Details 
1924  
Thomas Cooper Gotch, Alleluia
  		 Alleluia   1896 Tate Gallery, London
87035  
Thomas Cooper Gotch, Portrait of the artist's wife
  		 Portrait of the artist's wife   Oil on canvas. 25 11/16 in. x 20 1/2 in. (65.28 cm x 52.07 cm). Memorial Art Gallery, Rochester, New York. Date Painted approximately 1897 cyf
27878  
Thomas Cooper Gotch, The Child Enthroned
  		 The Child Enthroned   1894 Oil on canvas 159 x 102 cm(621/2 x 40 in) Private collection (mk63)
84157  
Thomas Cooper Gotch, The Flag
  		 The Flag   Date 1910(1910) Source oil on canvas - 112cm x 158cm cjr
88113  
Thomas Cooper Gotch, The Flag
  		 The Flag   1910(1910) Source oil on canvas - 112cm x 158cm cyf
97372  
Thomas Cooper Gotch, The Flag
  		 The Flag   1910(1910) Source oil on canvas - 112cm x 158cm cyf
84158  
Thomas Cooper Gotch, The Orchard
  		 The Orchard   Date 1887(1887) Source oil on canvas - 45.7cm x 30.5cm cjr
88114  
Thomas Cooper Gotch, The Orchard
  		 The Orchard   1887(1887) Source oil on canvas - 45.7cm x 30.5cm cyf
97711  
Thomas Cooper Gotch, They Come
  		 They Come   Unknown date Source oil on canvas - 71cm x 61cm cyf
Thomas Cooper Gotch
1854-1931 English Thomas Cooper Gotch Gallery In Newlyn he worked first at painting local scenes in the then-fashionable realist manner. But even these often had a romantic edge, such as The Wizard or an obvious love of surface colour. In 1891 a visit to Florence, Italy, opened his eyes to the work of the romantic European symbolists. He took the brave step of changing his style, to make romantic decorative paintings, when the prevailing fashion was against him. His first work in this new style was My Crown and Sceptre (1892), which was the progenitor to his most well-known work The Child Enthroned (1894). The latter, on original exhibition, was hailed by The Times newspaper as the star of that year's Royal Academy show. Until that time, his new style of work had drawn much critical scorn. He painted religious Christian scenes, history painting, portraits, and a few landscapes. His best-known paintings, which form the bulk of his work, usually portray girl-children in ornate classical or medievalist dress. The appearance of the girls in his paintings is often noted as being very modern. Gotch was a close and lifelong friend of Henry Scott Tuke, whose work featured a parallel focus on the boy-child. Gotch's lifelong adoration of the beautiful girl-child was shared by other Victorian giants such as John Ruskin and Lewis Carroll. His emotionally-charged work was immensely popular and critically acclaimed for most of his life, although interest in neo-romanticism waned after the First World War and he turned to watercolours of flowers. He also illustrated books, such as Round About Wiltshire, The Land of Pardons (an early study of Breton folklore & Celtic Christianity), and contributed illustrations to school readers such as Highroads of Literature. A retrospective show was held in Newcastle in 1910, and a memorial exhibition in Kettering in 1931.



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